Jumat, 02 September 2011

Depend Underwear Crosswalk Woman Commercial Song Green Onions by Booker T. & The MG'S.

Created by Ogilvy NY, this female-targeted TV spot, titled Crosswalk, shows a woman walking confidently across the street. She feels and looks great because she's confident in the discrete protection she gets with Depend Underwear.


Depend Underwear: Crosswalk Woman Commercial
Song: Green Onions by Booker T. & The MG'S

Booker T. & the M.G.'s is an instrumental R&B band that was influential in shaping the sound of southern soul and Memphis soul. Original members of the group were Booker T. Jones (organ, piano), Steve Cropper (guitar), Lewie Steinberg (bass), and Al Jackson, Jr. (drums). In the 1960s, as members of the house band of Stax Records, they played on hundreds of recordings by artists such as Wilson Pickett, Otis Redding, Bill Withers, Sam & Dave, Carla and Rufus Thomas and Johnnie Taylor. They also released instrumental records under their own name, such as the 1962 hit single "Green Onions".

Green Onions
Album Info:
Steve Cropper - guitar
Booker T. Jones - organ, bass guitar, guitar, keyboards
Lewie Steinberg - upright bass
Al Jackson, Jr. - drums

As originators of the unique Stax sound, the group was one of the most prolific, respected, and imitated of their era. By the mid-1960s, bands on both sides of the Atlantic were trying to sound like Booker T. & the M.G.'s.

In 1965, Steinberg was replaced by Donald "Duck" Dunn, who has played with the group ever since. Al Jackson, Jr. was murdered in 1975. Since then, the trio of Dunn, Cropper and Jones have reunited on numerous occasions using various drummers, including Willie Hall, Anton Fig, Steve Jordan and Steve Potts.


Song: Green Onions by Booker T. & The MG'S
Release: 1968 (From the Album Green Onions)
Buy the song on Amazon here.

The band was inducted into the Rock and Roll Hall of Fame in 1992.
Having two white members (Cropper and Dunn), Booker T. & the M.G.'s was one of the first racially integrated rock groups, at a time when soul music, and the Memphis music scene in particular, were generally considered the preserve of black culture. (Source: Wikipedia)

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